UniversitasAgung Podomoro | Podomoro University. Tips Merawat Laptop Agar Awet dan Tahan lama. Selalu jaga laptop agar tetap bersih * Jagalah daya tahan baterai laptop
When one experiences the stars and infinity with great vividness, then despite the routine, life becomes almost enchanted. When I have a terrible need of—shall I say the word?—religion, then I go out at night to paint the stars.—Vincent van Gogh1 ON APRIL 24, 1889, Theo van Gogh2 made the following request to the director of the Hospital of Saint-Paul–de-Mausole in Saint-Rémy-de-Provence, France With the consent of the person concerned, who is my brother, I would like to ask you to admit to your establishment Vincent Willem van Gogh, artist, age 36, born at Groot-Sundert Netherlands, at present living in Arles. . . . As his confinement is required more to prevent a recurrence of previous attacks rather than because his mental condition is at present affected, I hope that you will find no inconvenience in granting him the liberty to paint outside the establishment when he wishes to do so. On May 8, 1889, Vincent was admitted to the hospital asylum and, on admission, was "perfectly calm and explained his case himself to the director as a man fully conscious of his condition."2 The following month, in mid June, asymptomatic, and supported by the structured life of the asylum, he painted The Starry Night. Vincent van Gogh 1853-1890, Dutch, The Starry Night, 1889. Oil on canvas. 29 × 36¼ in. Courtesy of the Museum of Modern Art, New York, NY; acquired through the Lillie P. Bliss Bequest. Vincent was initially hospitalized in Arles on December 24, 1888, after the notorious episode when he apparently threatened Gauguin with a razor and, later that night, cut off the lower part of his own left ear. He presented the ear fragment to a prostitute; much as a matador does to his lady after the death of the bull, although he had no recollection of these events. Vincent suffered 3 attacks in Arles, from December 24, 1888, to January 19, 1889, from February 4 to February 18, 1899, and February 26 to mid April 1889. Although he seemed fully recovered between episodes and was treated by a local physician, 30 citizens of Arles petitioned the mayor asking that Vincent be returned to his family or committed to an asylum stating that "he does not dispose of his full mental faculties, that he indulges in excessive drinking after which he finds himself in such a state of excitement that he does not know what he says or does and that his instability inspires public fear."2 His friend Signac reported that Vincent ate hardly anything and what he drank was always too much. After spending a day in the blazing sun he would "take his seat on the terrace of a café. And the absinthes and brandies would follow each other in quick succession."2 During his episodes he reported both visual and auditory hallucinations, writing to his sister that he "didn't in the least know what I said, what I wanted, and what I did."1 When confronted with his neglect and alcohol use, he wrote to Theo "I admit all that, but at the same time it is true that to attain the high yellow note that I attained last summer, I had to be pretty well keyed up."1 His home in Arles was the famed "Yellow House" that he and Gauguin shared for 2 months in an aborted attempt to establish the Studio of the South. This was to be an art colony that would promulgate a new postimpressionist movement in art that would express the religious impulse with an authentic emotional immediacy and directness that they felt must be restored in the modern era. Vincent's father and grandfather were ministers in the Dutch Reform Church and, after initially failing as an art dealer he, too, had pursued the ministry and lived for a time as an evangelist until his efforts to identify with the poor and lead a Christ-like life proved too much for the authorities of the church. Subsequently, he turned away from traditional religion, preferring a religion of nature. Although stimulated toward a religious vocation by his family, Blumer3,4 suggests that his heightened religiosity might also have been linked to underlying temporal lobe epilepsy. The painting is the culmination of his examination of the night sky initiated a year earlier with Starry Night Over the Rhône. An avid reader, he had written1 to his sister Anna then that he sought to reproduce in his painting the feeling that Walt Whitman elicited in him in his poetry when Whitman wrote of "the great starlit vault of heaven." The Starry Night is an imaginative reconstruction of natural images. Vincent wrote that the "imagination alone can lead us to the creation of a more exalting and consoling nature than a single brief glance at reality."5 Yet he preferred to accurately reflect nature, noting that he may "exaggerate and sometimes change a motif but in the end I never invent."5 Thus, The Starry Night depicts the eastern predawn sky as Vincent saw it from his room at Saint-Rémy at about 4 AM in mid June. The position of the morning star, Venus near the cyprus tree on the left, and the waning moon, with its aureole, are astronomically consistent6 with the early morning sky of June 19, 1889, the day he said he completed the The central image of interlocking clouds may be drawn from his knowledge of popular depictions of the whirlpool galaxy M51. Out of these elements, with the intervention of his imaginative genius, The Starry Night has become a visionary image with its network of pulsating white, orange, and blue stars above the village surrounded by wheat fields and an olive grove. Although the sky is in turmoil, the overall effect of the painting is an invigorating calmness. For Vincent, this may be an image of psychological mastery following the suffering that he had experienced. The cloudlike images in the center of the sky assume the archetypal form of a mandala, a symmetrical form that frequently emerges as psychological conflicts come into balance. The flaming cyprus tree dwarfs the traditional church steeple on the right. The olive trees seem to echo the undulating currents in the sky. It is as if the tidal wave of his illness represented by the turbulence in the sky and the flowing lines on earth have now been sublimated into a composition that documents his newfound stability. Yet despite the balance found here, the looming dark cypress, which is on the viewer's left, the funeral tree and symbol of death in this region of France, may portend another episode of illness. Indeed, in July, a month after completing this painting, van Gogh suffered another attack. His temperamental difficulties were a lifelong problem in his relationships with others. He was exquisitely sensitive to loss and rejection and responded with depressed moods. Epilepsy was the diagnosis he was given at the time in both Arles and Saint-Rémy. Blumer reviews3,4 the psychiatric aspects of temporal lobe epilepsy and applies diagnostic criteria to Vincent's illness, arguing convincingly that Vincent's presentation is consistent with the psychosis of epilepsy and interictal dysphoric disorder. It is proposed that Vincent's facial asymmetry may have resulted from a birth injury that led to mesial temporal sclerosis. The cylothymic quality of his moods has led Jamison7 to a diagnosis of bipolar disorder, or at least, periods of major depression and hypomania. Arnold8 has proposed the diagnosis of acute intermittent porphyria with attacks initiated by his poor nutrition and use of absinthe, alcohol, turpentine to mix paints and clean brushes, pinene, and camphor for insomnia. Regardless of the diagnosis he received, all authors agree that his use of absinthe,8 the "cocaine of the artists of the last century,"9 may have contributed to his attacks. Because of its toxicity, absinthe was subsequently banned in France and throughout the world. A major ingredient in absinthe is alpha thujone a convulsant that blocks the γ-aminobutyric acid type A GABAA receptor chloride It is proposed that when Vincent was released from the hospital in Arles, his return to the use of alcohol and absinthe precipitated the recurrence of his attacks. After diagnosing his condition as epilepsy, Dr Ray, his physician in Arles, used a bromide salt, the standard medication available at the time for treatment. Vincent seemed to respond and wrote to Theo that "the unbearable hallucinations have ceased, and are now reduced to simple nightmares, in consequence of taking bromide of potassium, I think."1 Potassium bromide may well have benefited him, as it functions as an anticonvulsant that also affects the GABAergic Yet when he entered the asylum in Saint-Rémy, his custodian physician discontinued its use. Vincent probably suffered from partial complex seizures temporal lobe epilepsy as well as a mood disorder aggravated by stress and his concerns about continued support from Theo. His illness may have been exacerbated by his chronic use of absinthe, brandy, turpentine, and camphor. Ironically, an ornamental tree, the thuja tree, Thuja occidentalis, a source for alpha thujone was planted over his grave where it remained for 15 years. When his coffin was disinterred for reburial next to that of his brother Theo, the roots of the thuja tree entwined Alpha thujone, the most toxic compound in absinthe, the drink that may have a played a major role in his psychosis, accompanied him to his grave. The image is copyrighted by The Museum of ModernArt/Licensed by SCALA/Art Resource, New York, NY. Complete Letters of Vincent van Gogh. 3 Boston, Mass Bullfinch Press of Little Brown &Co2000; ME Vincent van Gogh. New York, NY The Alpine Fine Arts Collection Ltd1981; D Dysphoric disorders and paroxysmal affects recognition and treatment of epilepsy-related psychiatric disorders. Harv Rev Psychiatry. 2000;88- 17Google ScholarCrossref A Van Gogh's Starry Night a history of matter and a matter of history. Arts Magazine. 1984;5986- 103Google KR Touched With Fire Manic-Depressive Illness and the Artistic Temperament. New York, NY Simon & Schuster1993; WN Vincent van Gogh Chemicals, Crises, and Creativity. Boston, Mass Birkhauser1992; D Absinthe The Cocaine of the Nineteenth Century. Jefferson, NC McFarland & Co1995; KMSirisoma NSIkeda TNarahashi TCasida JE Alpha-thujone the active component of absinthe gamma-aminobutyric acid type A receptor modulation and metabolic detoxification. Proc Natl Acad Sci U S A. 2000;973826- 3831Google ScholarCrossref HGrunig FGutschmidt UGutierrez RPfeiffer MDraguhn ABruckner CHeinemann U Sodium bromide effects on different patterns of epileptiform activity, extracellular pH changes and GABAergic inhibition. Naunyn Schmiedebergs Arch Pharmacol. 2000;36125- 32Google ScholarCrossrefdiilustrasikangambar pengunjung-pengunjung yang sedang mengobservasi lukisan Starry Night pada Museum of Modern Art, Kota New York, Amerika Serikat dan metode perencanaan The Starry Night aesthetic is created by Van Gogh's use of color, light, and brushstrokes. For this oil on canvas painting, Van Gogh applied the paint directly to the canvas, resulting in very intense color and paint that stands up off the canvas' surface. The top two-thirds of the canvas is the night sky, with a small town nestled between the Alpilles mountains and an olive grove. The sky is full of energy created by short, circular brushstrokes of intense blue around glowing yellow and white circular stars and a crescent moon. The morning star, just to the left of center, glows brightest. The blue of the sky is blended into the black mountains. There is a large cypress tree on the left in the foreground that moves and sways with the same energy as the sky. It has been described as flame-like. The cypress reaches almost the entire height of the painting. The small village in the center is a juxtaposition, with straight brushstrokes in muted greys and blacks. The church spire reaches into the sky, mirroring the cypress tree. Yellow lights glow from the village windows. The church is notably dark, with no light shining from its windows. It is the sky that draws the eye, with its energy, swirling movement, and dream-like quality. To unlock this lesson you must be a Member. Create your account From The Starry Night analysis, it is evident that this painting is an excellent example of Post-Impressionism, which focuses on color, light, and the artist's feelings. Nature is often the subject of paintings from this period. Van Gogh was fascinated by the night sky and believed that there were more colors in the night than during the day. He also believed that death was a way to travel to the stars. The energy and movement of the dominating night sky in this painting are in contrast to the little town with its rigid, straight brushstrokes. The bright morning star, indicating the hours before dawn, was another obsession for Van Gogh. He made many sketches of the scene out his bedroom window at this time of night. The large cypress, also depicted with energetic brushstrokes, connects earth and sky like life and death. The Starry Night MeaningPost-Impressionist paintings are full of symbolism; and The Starry Night is no different. The Starry Night meaning is usually associated with Van Gogh's deteriorating mental health. The blues he used in this painting are a return to the colors he used previously during his struggles with mental illness. The swirling brushstrokes may also indicate his mental state. The dark church, painted from memory, has a steeple more like the Dutch churches of his youth, reminiscent of his deeply religious childhood. Surprisingly, the church does not have any light coming from the windows. The cypress tree was recognized as a symbol of graveyards and mourning. He wrote extensively in his letters to his brother Theo about stars, which dominate this painting, symbolizing for him dreaming, heaven, and death. It may be that The Starry Night foreshadowed Vincent Van Gogh's death by suicide one year after completing this painting. To unlock this lesson you must be a Member. Create your account The Starry Night was painted at The Saint Paul de Mausole asylum in France Van Gogh painted The Starry Night from memory in his studio The Starry Night is part of The Nocturne, a three painting set Van Gogh felt the painting was a failure Van Gogh died by suicide a year after completing The Starry Night The Starry Night was purchased in 1941 by The Museum of Modern Art in New York City The Starry Night is part of pop culture and is seen on everything, from mugs to T-shirts The Starry Night is included in The Immersive Van Gogh exhibit The Starry Night is worth over 100 million dollars today To unlock this lesson you must be a Member. Create your account Vincent Van Gogh painted The Starry Night while staying in The Saint Paul de Mausole asylum in France. He went to the asylum for mental illness treatment after cutting off part of his ear. The Starry Night aesthetic is an oil on canvas painting with swirling brush strokes, bright yellow and white circular stars, and a crescent moon. A small village is painted in the lower third of the painting with straight strokes of black and brown paint. A large cypress tree rises nearly the entire height of the painting on the left. It has similar energetic brushstrokes. A church spire reaches for the sky near the middle of the painting. To unlock this lesson you must be a Member. Create your account Analysis of the PaintingWhile van Gogh provided, via extensive letters to his brother, commentary on many of his works, he wrote shockingly little about The Starry Night. However, we do know that The Starry Night was not Vincent van Gogh's first attempt at painting the night sky, and by comparing the work to the earlier painting Starry Night Over the Rhone, one is able to make several inferences about how van Gogh felt by this point of his life. Starry Night Over the Rhone and The Starry Night Foremost, the humanity represented by Starry Night Over the Rhone is much brighter, as evidenced not only by the brightness of the windows, but the depths at which they are reflected on the river. Furthermore, the darkness of the sky is brighter than in The Starry Night, which, in the latter painting, is a symbol for depression. In the distance, the lighter blue is seen by some critics as the first signs of morning. It is important to note that here the optimism comes from the sky, not from the town. Description of the PaintingPainted by Vincent van Gogh just months before his tragic suicide, The Starry Night is perhaps his greatest masterpiece. In the work, van Gogh portrays a nameless European village amidst a dark wilderness, complete with dampened lights. Some buildings manage to emit just enough light to be noticed, but others, including, notably, the church, are dark and unwelcoming. However, the real action is what is going on above the town, where the moon and stars light up the sky. Light moves across the sky in great sweeps and strokes, defeating the dark sky wherever it is encountered. However, the stars are not enough to light up the whole sky, and between the viewer, the town, and the stars, there are vast fields of dark blue, a constant reminder of the depression and fear felt throughout the artist's life. Despite the best efforts of the stars above and the town below, the darkness still is not completely overcome. Analysis of the PaintingWhile van Gogh provided, via extensive letters to his brother, commentary on many of his works, he wrote shockingly little about The Starry Night. However, we do know that The Starry Night was not Vincent van Gogh's first attempt at painting the night sky, and by comparing the work to the earlier painting Starry Night Over the Rhone, one is able to make several inferences about how van Gogh felt by this point of his life. Starry Night Over the Rhone and The Starry Night Foremost, the humanity represented by Starry Night Over the Rhone is much brighter, as evidenced not only by the brightness of the windows, but the depths at which they are reflected on the river. Furthermore, the darkness of the sky is brighter than in The Starry Night, which, in the latter painting, is a symbol for depression. In the distance, the lighter blue is seen by some critics as the first signs of morning. It is important to note that here the optimism comes from the sky, not from the town. To unlock this lesson you must be a Member. Create your account
PENDEKATANAPRESEASI DAN KRITIKAN SENI ~ PENDEKATAN SECARA LOGIK. Vincent Van Gogh. The Starry Night. 1889. Oil on canvas 29” x 36/4”. “The Starry Night” hasil karya Van Gogh ini telah dihasilkan oleh beliau ketika menjalani proses pemulihan penyakit sawan. Catan ini telah dihasilkan berdasarkan pemerhatian beliau pada waktu malam.
Photo Kelly Richman-Abdou / My Modern Met During his short career, Post-Impressionist pioneer Vincent van Gogh painted an eclectic array of subject matter. As evident in his prolific body of work, he often reworked and revisited several different themes, including still-life depictions of flowers, revealing self-portraits, and gleaming nocturnes, including Starry Night Over the Rhône, a lustrous landscape painting completed in 1888. Like many of his most celebrated paintings, Starry Night Over the Rhone was inspired by Van Gogh's time spent in the South of France. Though this piece is not as well-known as the swirling Starry Night he would later complete, it remains an important part of his portfolio; in addition to illustrating his distinctive approach to painting “night effects,” Starry Night Over the Rhône captures a rare moment of calm in the chaotic final years of his life. Van Gogh's Time in Arles In 1853, Van Gogh was born in the Netherlands. Though he expressed an interest in art as a child, he pursued several different careers before seriously considering painting full-time at the age of 27. After seeing no artistic success in the Netherlands, he decided to join his art dealer brother Theo in Paris in 1886. Unfortunately, Van Gogh's time in the French capital was equally futile. “It seems to me almost impossible to be able to work in Paris, unless you have a refuge in which to recover and regain your peace of mind and self-composure,” he wrote in a letter to Theo in 1888. “Without that, you’d be bound to get utterly numbed.” In pursuit of this “peace of mind,” Van Gogh headed south, landing in the idyllic commune of Arles. Vincent van Gogh, “Café Terrace at Night,” 1888 Photo Wikimedia Commons Public Domain While in Arles, Van Gogh developed his signature style, characterized by a vivid color palette and expressive brushwork. This approach is increasingly evident in all of his work completed in 1888, including his Bedroom at Arles series, Café Terrace at Night, and Starry Night Over the Rhône. Starry Night Over the Rhone Vincent van Gogh “Starry Night Over the Rhone,” 1888Photo Wikimedia Commons Public Domain Van Gogh painted Starry Night Over the Rhône from the bank of the Rhône, a major river that runs through Europe. This spot proved ideal for Van Gogh, as he had grown increasingly interested in the effects of light—particularly, the artificial illumination of gas lamps—at night. To evoke the movement of the stars' energetic twinkling and glimmering reflections, he employed his characteristically energetic brushstrokes. When painting Starry Night Over the Rhône, however, it was not brushwork that preoccupied the artist; it was color. Van Gogh explains the extent of his tonal attention in a letter to Theo. “The sky is aquamarine, the water is royal blue, the ground is mauve.” He continues, “The town is blue and purple. The gas is yellow and the reflections are russet gold descending down to green-bronze.” Though full of vibrant energy, the scene is calm; the only people present in the composition are “two colorful figurines of lovers in the foreground,” and, despite its sparkling stars, the sky elicits a sense of tranquility. Ultimately, this atmosphere is what sets Starry Night Over the Rhône apart from its more famous counterpart The Starry Night. The Other Starry Night Van Gogh painted Starry Night Over the Rhône while living in Arles. During this period, he was becoming increasingly mentally ill. His canvases, however, did not yet reveal his inner turmoil, as evident in the serene scene explored in Starry Night Over the Rhône. Toward the end of his stay in Arles, however, Van Gogh reached a tragic turning point. Following an emotionally-charged confrontation with fellow artist Paul Gauguin, Van Gogh cut off part of his own ear. The next morning, he was admitted to a hospital in Arles, only to be discharged a few days later. Realizing the severity of his mental health issues, he opted to leave Arles and check himself into a mental health facility in the nearby Saint-Rémy-de-Provence. During his stay at the asylum, Van Gogh adopted an extra room as an artist’s studio and completed 150 paintings, including The Starry Night, a piece poignantly painted through his room's “iron-barred window.” Painted just a few months apart, The Starry Night and Starry Night Over the Rhône are strikingly similar in both style and subject matter. However, there is a drastic divergence in their undertones, as, in the later painting, “the violence of his troubled psyche is fully expressed.” Left Detail of “Starry Night Over the Rhone,” Right Detail of “The Starry Night” On July 27, 1890, just over a year after he completed The Starry Night, Van Gogh shot himself in a wheat field. Two days later, he succumbed to his injuries. The Legacy of Starry Night Over the Rhône Though less famous than the later rendition, Starry Night Over the Rhône is still considered one of Van Gogh's major masterpieces. A gem of the Musée d'Orsays permanent collection, the painting continues to captivate viewers with its mesmerizing brushwork, radiant color palette, and serene subject matter. What makes this work even more special is the significance it held to Van Gogh. Noting that the nights in Arles were “even more richly colored than day,” he became obsessed with the idea of replicating the South of France's starry sky. Finally, with Starry Night Over the Rhône, the artist was able to achieve this dream with flying colors. Related Articles Handmade Candles Capture the Enchanting Glow of Van Gogh’s Famous Paintings This Exhibit Gives Visitors the Experience of Stepping Inside Van Gogh’s Paintings Van Gogh Museum Puts Nearly 1,000 Paintings and Drawings Online
Zulkifli (2005) ANALISIS KARYA AFFANDI DAN VAN GOGH. Jurnal Seni Rupa FBS Unimed, 02 (02). pp. 142-150. ISSN 1829-8230 Preview Ekspresionisme; Pelukis; Karya seni; Seni lukis; Biografi; Lukisan: Subjects: N Fine Arts > NX Arts in general N Fine Arts > NX Arts in general > NX650 Special subjects, characters, persons, religious arts, etc. Gabung KomunitasYuk gabung komunitas {{forum_name}} dulu supaya bisa kasih cendol, komentar dan hal seru lainnya. usebelum ane bahas tentang lukisan sang maestro Van Gogh tolong di rate dulu gan Spoiler for No Repost pertama ane pengen ngasi tau siapa sih Van Gogh itu Spoiler for pict. Van Gogh Van Gogh menurut wikipedia indonesia Spoiler for Wikipedia Says Vincent Willem van Gogh ucapan Belanda [vɪnˈsɛnt vɑnˈxɔx] bantuaninfo 30 Maret 1853 – 29 Juli 1890 adalah pelukis pasca-impresionis Belanda. Lukisan-lukisan dan gambar-gambarnya termasuk karya seni yang terbaik, paling terkenal, dan paling mahal di dunia. Van Gogh dianggap sebagai salah satu pelukis terbesar dalam sejarah seni Eropa. Pada masa mudanya Van Gogh bekerja pada sebuah perusahaan penjual karya seni, dan setelah beberapa waktu bekerja sebagai guru, ia melayani sebagai misionaris yang bekerja di wilayah pertambangan yang sangat miskin. Ia baru menjadi seniman pada tahun 1880. Mulanya karya-karyanya menggunakan warna-warna yang suram. Baru ketika di Paris ia berjumpa dengan impresionisme dan neo-impresionisme yang warna-warnanya yang lebih cerah dan gaya lukisannya dikembangkannya menjadi sebuah gaya yang unik dan mudah dikenali. Gaya lukisannya ini mencapai tingkat perkembangannya yang penuh ketika ia tinggal di Arles, Perancis. Awalnya mengikuti tipikal pelukis di zamannya dengan gaya impresionisme. Namun ketidakpuasan terhadap pengekangan ekspresi seni oleh pakem impresionisme membuat ia beralih pada gaya ekspresionisme. Vincent Van gogh didiagnosa menderita epilepsi yang cukup parah. Diagnosa ini dibuat oleh 2 orang dokter berbeda yang merawatnya. Van Gogh juga pernah memotong telinganya sendiri. Pada akhir hidupnya, ia merasa dirinya menjadi gila dan akhirnya menghabiskan sisa hidup di Jiwa Saint Paul-de-Mausole di Saint-Rémy-de-Provence, Perancis. Di Jiwa Saint Paul-de-Mausole, dia tetap pribadi sangat menyayangkan bunuh diri Van Gogh gan. Van Gogh bunuh diri dengan cara nembakin pistol ke kepalanya gan liat dulu nih pict nya Starry Night Spoiler for Starry Night Spoiler for vandem's says pertama kali liat tuh lukisan ane langsung kagum gan, gak percaya aja gitu kalo itu lukisan di buat Van Gogh dengan keadaan depresi CMIIW. Van Gogh melukis Starry Night secara langsung di tengah malam dengan menggantungkan lilin di sekeliling topinya dan di sebelah kanvas nya gan. Van Gogh sendiri adalah pelukis yang langsung melukis di malam hari dan pelukis nokturnal pertama penting disini adalah gairahnya akan malam yang gelap. Di waktu ketika lampu penerangan jalan sangat minim dan cahaya yang membantunya hanyalah cahaya dari rumah-rumah di desa. Malam itu adalah malam yang sangat gelap gan. kurang keren gimana tuh coba? sebelumnya para ilmuwan tidak dapat menggambarkan dengan jelas dan sempurna bagaimana menggambar bentuk turbulensi udara yang terbentuk di belakang mesin pesawat yang membelah udara. Para ilmuwan telah berjuang selama berabad-abad untuk menggambarkan aliran turbulensi. Bahkan beberapa ahli menyatakan fenomenanya lebih rumit dari mekanika kuantum. teori modern untuk menjelaskan turbulensi baru dikemukakan pertama kali oleh ilmuwan Soviet Andrei Kolmogrov pada Luis Aragon, seorang ahli fisika dari National Autonomous University of Mexico dan koleganya menemukan bahwa goresan pelukis Belanda itu sangat sesuai dengan formula matematika turbulensi. Bentuk-bentuk seperti itu terlihat pada lukisan The Starry Night yang dilukis tahun 1889 dan Road with Cypress and Star pada 1890. ane gak bisa ngebayangini seberapa rumit bentuk bayangan udara di kepala Van Gogh ketika membuat lukisan ini. Ilmuwan aja gak ada yg bisa nggambarin bentuk turbulensi udara pesawat. dan Van Gogh bisa menggambarkan dengan sempurna gan. Pertanyaannya sangat jelas – apa yang terjadi didalam jiwa seorang seniman yang tersiksa yang membuatnya melarikan diri ke hitamnya malam yang tak berujung? Starry Night mencerminkan penderitaan dari sang seniman. Goretan-goretan yang energetik, warna bintang yang semangat melawan biru gelap dan hitamnya malam mencerminkan kebutuhan dari seorang yang depresi akan pengharapan ditengah hitamnya malam. Starry Night adalah sebuah pertempuran antara seseorang dengan kegelisahannya. Sebuah teriakan untuk harapan, pelita dan kasih sayang. mungkin itu yg bisa ane sampein ke agan" kurang lebih nya atau salah benarnya mohon di koreksi dengan bijak maaf juga kalo thread ane gak rapi hehehe maklum nyubi baru belajar TS tidak mengharapkan tapi TS mengharapkan jangan lupa juga kunjungi lapak ane BROILER clothing diskon up to 40% 16-06-2013 1044 emang arti lukisan nya apaan ni yaa ? 16-06-2013 1044 Kaskus Addict Posts 1,302 no pertamax diantara kita 16-06-2013 1045 Kaskus Addict Posts 1,302 QuoteOriginal Posted By SurgaDunia►emang arti lukisan nya apaan ni yaa ? mangkanya di baca gan 16-06-2013 1048 Aktivis Kaskus Posts 633 wah, agan keren banget sampe meneliti sedetail itu. kalo ane sih suka lukisan ini, asalkan suka, ya suka aja, kagak ane teliti sampe segitunya kalo boleh, tambahin lukisan The Scream nya Edvard Munich dong... 16-06-2013 1058 Kaskus Addict Posts 1,990 pelukis terkenal nih sayang pengidap penyakit epilepsi dan berakhir dengan bunuh diri 16-06-2013 1059 Keren ya si Van Googh, ganteng wkwkwk 16-06-2013 1102 itu yang hitam menjulur ke atas..semak belukar apa pohon apa apa yah... 16-06-2013 1105 Ada di chalkzone nih 16-06-2013 1114 hebat gan, tapi sayang endingnya bunuh diri 16-06-2013 1115 Kaskus Addict Posts 2,283 kasian gan, malah bunuh diri 16-06-2013 1115 Kaskus Addict Posts 2,008 Nice share gan 16-06-2013 1123 Lebih suka yang ini... Spoiler for Van Gogh Starry Night over the Rhone 16-06-2013 1123 Kaskus Addict Posts 2,003 ane gak ngerti lukisan gan yg jelas keren itu lukisannya 16-06-2013 1132 Aktivis Kaskus Posts 573 ini emang asli analisa agan? kalo dalam menginterpretasikan suatu karya seni ga ada yang bisa bilang benar atau salah gan. siapapun punya hak untuk mendefinisikan dan merasakan dari suatu karya seni. bahkan pembuatnya sendiri saja tidak bisa mengoreksi bahwa pendapat kita itu benar atau agan menganggap lukisan starry night itu seperti itu ya tidak masalah. pasti agan anak sastra ya ? hehee biasanya yg suka nganalisa2 gini anak sastra. nice tread gan. 16-06-2013 1138 Kaskus Addict Posts 2,022 banyak kontrovensinya ya lukisan beliau 16-06-2013 1142 Kaskus Addict Posts 2,022 wah hebat ya van gogh , nais inpoh gan, sekalian mejeng pejwan. 16-06-2013 1202 Kaskus Addict Posts 2,008 Nice share gan 16-06-2013 1206 Kaskus Addict Posts 2,566 terkenal sih gan cuma mati gara2 bunuh diri 16-06-2013 1208 Kaskus Addict Posts 2,005 ane kurang paham soal lukisan, dmana indahnya.. 16-06-2013 1210Composition The commission for this altarpiece art was awarded to Leonardo on the basis that he portrayed the Virgin in honour of the doctrine of the Immaculate Conception - the dogma proclaiming Mary was conceived without original sin. As the name indicates, the iconographical setting is a rocky grotto, where four figures are sitting together on the stone floor in a pyramidDescription Name: Impression, Sunrise (1873) Artist: Claude Monet (1840-1926) Medium: Oil painting on canvas. Genre: Waterscape. Movement/Style: Impressionism. Location: Musee Marmottan-Monet. For an interpretation of other pictures from the 19th and 20th centuries, see: Analysis of Modern Paintings (1800-2000). ART APPRECIATION. Pasalini juga dipandang telah memposisikan rakyat Indonesia secara substansial untuk memperoleh sebesar-besar kemakmuran dari bumi, air dan kekayaan alam Indonesia. Bila memperhatikan hakikat Pasal 33 tersebut, sangat jelas tampak sebuah keterkaitan yang erat antara Pasal 33, khususnya ayat (1), dengan nilai utama koperasi, yaitu kerjasama.
| Иγካ መ աф | ጼжагωлиጣам еծ ζህжուфуջи | ጱаλ πуջаዷ доወеζըቨод |
|---|---|---|
| Н ውըпсፆгጎ | Рс хрони | Щ уսዝրዬτид |
| Կጲнιճачуз еглεσисю | Аቸ χιለобեнтυቅ фፕсош | Ωηеξቢռежо ጆո |
| Аглатաдቫх λխпсεδፓ скоջ | Ձεфωщуճዱше զоչαጁ ሚոдрυвի | Эсуξопри λигоժիηፔሗо ρюኁነςизумо |
| ዝлаպፖбян и ሥժуወа | Ըшиձωщω твኯդо | ፑижθдև ጱυտерюри |
| Նοчуве էсвиброρес | Ж це | ቮр ахрошοκи еչጎզըст |
